Women’s Week has arrived! Read HCWC intern, Suzanna’s thoughts below on why YOU should get involved:

I say it every year and I’ll say it again–Women’s Week at Harvard College is my favorite week on this campus. It’s a time to celebrate women’s achievements, explore women’s issues, and encourage dialogue about the role of gender at Harvard and what it means to be a woman in today’s world. So obviously it gives me great pleasure to announce that starting Women’s Week 2013 will lift off this Friday, March 8th. You should (or dare I say, need) to get involved in this year’s events and here are five reasons just to get you started:

  1. Celebraction! One of the most engaging aspects of Women’s Week is its celebratory tone towards activism on campus and beyond. You’ll see this at our kick-off event Feminist Coming Out Day 2013: Coffee House and Open Mic. The emotional electricity is almost tangible as our peers perform incredible spoken word, songs, and offer testimonials on why feminism is central to their lives. Women’s Week promotes gender empowerment through an infectious energy that inspires its participants towards further action. Thus I give you the following entomology: Celebration + action = celebraction
  2. All of the cool kids are doing it. Women’s Week has been directed by a coalition powerhouse composed of the Women’s Center, the Seneca, and Women’s Cabinet. Along with these bedrock organizations, each Women’s Week event is co-sponsored by its own student organization ranging from PBHA’s Athena Program to ECHO. You definitely know someone who has been involved in planning a Women’s Week event. I know from personal experience that they would love your support through your attendance.
  3. 3.    It’s an event smörgåsbord. Our events this year are incredible, diverse in content and format. We have a discussion on HBO’s “Girls” that will include an interactive debate on its relevance to twenty-something lives along with a more traditional panel on personal and work-life balance. Don’t forget our TED-talk style Harvard Women Think Big featuring presentations from some rad Harvard Women or our Female Friendship Seminar by the Radcliffe Union of Students! From my behind the scene’s perspective, I can assure you that there has been so much thought and intention behind each event to ensure that each participant leaves feeling informed and inspired. (Also, true to smörgåsbord’s dennotation, there will be a lot of free food goodies)
  4. 4.    Connect beyond Campus Along with marking the last week before Spring Break, Women’s Week intentionally coincides with International Women’s Day. Like Women’s Week, International Women’s Day was established out of a coalition dedicated to comprehensively improving women’s advancement through celebratory solidarity. IWD celebrated its centennial anniversary in 2011 and continues to be celebrated across the world. By celebrating IWD through Women’s Week at Harvard you will be a part of a worldwide movement, joining with other revelers in such places like Samoa, Austria, and Zambia.
  5. Power Up “But why isn’t there a Men’s Week?” At this point in my Women’s Center career, I have learned how to deal with this question. In fact, I’ve learned that often times it’s an earnest question, not intending provoke. So why isn’t there a Men’s Week?  There isn’t a Men’s Week because the United States, more specifically Harvard College, has historically been and continues to male dominated.  Women’s Week offers an opportunity to engage in a dialogue related to (but not limited to) women, gender and feminism–topics that are not discussed or often marginalized on this campus.  So power up!  Get connected to your feminist side and get ready for a week of events aimed to challenge, motivated, and inspire all genders!!

Lynn Hershman Leeson: Waging Wars, Finding Peace

Originally published in PolicyMic as Dreaming is Risky Business: An Interview With Renowned New Media Artist Lynn Hershman Leeson.


Shutter (1990). Gelatin silver print. 20″ x 24″. Courtesy Lynn Hershman Leeson.

Lynn Hershman Leeson is a widely celebrated modern artist whose contributions to visual culture are multifaceted and revolutionary, amounting ultimately in one of the most versatile artistic careers of the past 40 years. As a central figure in the feminist art movement and “the most influential woman working in new media today”, her inventive multimedia approach, comprised of a wide range of photography, performance, internet/computer art, and film, have proven to be a unique and transformative approach in the struggle for equal representation for women in the arts and society at large.

She directed three feature films starring Tilda Swinton – Conceiving Ada, Teknolust, and Strange Culture – that have been shown at the Sundance Film Festival, the Toronto International Film Festival, and the Berlin International Film Festival, among other prestigious venues worldwide. Teknolust was awarded the Alfred P. Slone Foundation Feature Film Prize in Science and Technology. Additionally, Hershman Leeson was the first woman to receive a tribute and retrospective at the San Francisco International Film Festival in 1994.

Her most recent film, !WAR: Women, Art, Revolution has received widespread critical acclaim for its retelling of the feminist art movement through interviews with respected artists and critics such as Miriam Schapiro, Judy Chicago, the Guerrilla Girls, Hannah Wilke, and Marcia Tucker. Featuring an original score by Carrie Brownstein of the band Sleater-Kinney and the IFC comedy Portlandia, !WAR is an incredible compilation of images and stories that fundamentally rewrite an essential history that has innumerable ramifications for today’s increasingly polarized political and artistic climates. Her work is in the collections of many renowned institutions, including the Museum of Modern Art, New York, the National Gallery of Canada, the Los Angeles County Museum of Art, the Walker Center, and Zentrum fur Kunst und Medientechnologie, Karlsruhe, Germany.

Her work will be shown in an upcoming exhibition at the Museum of Modern Art, New York, entitled 19 New Acquisitions, as well as at the San Francisco Museum of Modern Art. The latter show, The Agent Ruby Flies, will focus on Hershman Leeson’s commissioned web project for the museum. A touring retrospective organized by the Henry Gallery opened in 2005 with an accompanying monograph from the University of California Press, Secret Agents, Private I: The Art and Films of Lynn Hershman Leeson. Hershman Leeson is also a Professor Emeritus at the University of California Davis and an A.D. White Professor at Large at Cornell University.


Interview between William Simmons and Lynn Hershman Leeson, January 28, 2013

WS: In the introduction to your 1996 anthology Clicking In: Hot Links to a Digital Culture, you state, “Presumptions about communities, identity, property, physicality, art, science, and values are being digitally rewritten. A symbiotic relationship to technology exists. It defines culture as culture defines it.” Nearly 20 years later, this assertion, with its simultaneously hopeful and cautionary vision, could not be timelier. What are the ramifications of the complete integration of personal identity, be it gender, sexuality, race, etc., with a technology-saturated culture, especially for those of us who grew up in the Digital Age?

LHL: I think the ramifications are a bit heinous in this era of lost and unrecoverable privacy, despite searches for deep selves and the splaying of information due to hive like-mindedness and a hybridity of existence that denies individual eccentricities. 

I am tending to agree with Jaron Lanier in his book You Are Not a Gadget.  More profound are the evolutionary biological shifts that are happening because of the ability to now program DNA.

WS: Your wide-ranging body of work is marked by a commitment to video and performance as privileged media of exploring issues of identity.  As you consider the trajectory of your career and the history of feminism and the arts, what has been the enduring impact of these specific media? What advice might you offer young advocates for social change who hope to create transformative works of art through new media and the internet?

LHL: I think that what is critically important is that people have a driving vision. The media will follow.  Every medium has one that speaks to its community, whether it be social sculpture or wax casting.  So concentrate on what and why change is necessary and the most effective way to achieve that. All else will follow.

WS: Your 2011 film !WAR: !Women, Art, Revolution follows the history of  the feminist art movement from its inception without glossing over the fracturing and insecurity that left many wondering if their years of work had come to naught. What would you say to those who are pessimistic about the efficacy of feminism, especially those who have forsaken activism for fear that society is simply unchangeable?

LHL: Anyone pessimistic didn’t live through or note the enormous change that we created.  Change is implicit with growth and creativity, and as the film points out, never give up and keep your sense of humor. Great shifts are occurring invisibly but constantly.

WS: You have said that “dreaming is a risky business,” a fact that is manifest in the hours of footage you utilized to create !WAR. It is clear that you and your contemporaries faced countless deterrents to your vision for equality. What is your dream for 2013? What risks do we face in accomplishing it, and how can they be overcome?

LHL: My dream for 2013? To keep my health and energy and add to the creative metasticization of culture(s) through a few projects I am working on which point out an evolutionary shift.  I do not see risks ever.  I only see opportunities and the implications of not taking them, and the need for courage and vision as a radical and important part of the medium’s composition. XX  

All images are under copyright and reproduced with permission of Lynn Hershman Leeson.

William Simmons would like to thank Lynn Hershman Leeson for her warmth and generosity. He can be reached at wsimmons@college.harvard.edu or followed on Twitter